Showing posts with label Julia Carlson. Show all posts
Showing posts with label Julia Carlson. Show all posts

Sunday, September 15, 2024

A KIDS BOOK ABOUT OVERDOSE, by Lee S. Varon





A KIDS BOOK ABOUT OVERDOSE, by Lee S. Varon, LICSW (a kids book about Press, 2024)


Review by Julia Carlson



Many of you may know Lee Varon for her fine poetry, but there is another side to her work, which is a focus on addiction. Varon, a clinical social worker, has explored addiction personally in her poetry, but in the last few years she’s expanded her work to include fiction and workbooks about this complex subject. My Brother Is Not a Monster, a book for young readers from the view of a young girl whose older brother is a drug addict, is a sensitive, realistic rendering of addiction in a family. This story defines addiction, its consequences, and recovery. It is a hopeful story.



Now Varon brings us a workbook, A KIDS BOOK ABOUT OVERDOSE,. published by a kids book about Press (akidsco.com). This press focuses on topics like hope, feelings, relationships, and safety for a young audience. Like many of their releases, they suggest grownups and kids read it together. Overdose is a scary topic, even for adults, but anyone who has had to deal with addiction, whether personal, familial, professional, or social, knows that overdose is part of addiction’s fabric. Failure to quickly identify and treat it can lead to death.



Varon has done an excellent job defining overdose - drugs that can cause it, what addiction is, what overdose looks like, and what to do if you are unfortunate enough to witness one. There's a detailed description of what happens during a 911 call, including how to administer Narcan. This might be too much information for a younger child (this book is recommended for 5-9 years of age). In fact, this is why its suggested the book be read with à parent/caregiver.



The end of this book focuses on feelings that might arise after witnessing an overdose - fear, anger, sadness, confusion, guilt, and anxiety. Varon explains and normalizes how to deal with feeling helpless after such a terrifying event. There's also a “to-do” list of suggestions to help keep your home safe and our kids aware of what to do in an emergency.



It's a sad commentary indeed, when thousands of Americans, of all ages, have died due to drug overdose in the last 5 years, that Narcan, which reverses overdose, is now stocked in many restrooms, schools and public libraries, and in fact, that this book has even been written. However, I believe it’s important for this information to be out in the public domain. Keeping addiction a secret doesn’t help anyone. During my 25 years working in addiction, and especially with families and children, there were too many times when addiction reared its head. Children were often faced with situations like caregivers missing in action, arrested, passed out in the bathroom from an overdose, or worst case, dead. The outcome was not always positive and the children were left to suffer the effects.



It's obvious that the fight against addiction needs to continue - so much needs to be done. Treatment for rehabilitation and recovery, as well as general education about addiction, needs to be accessible on a wide scale. This workbook is a positive addition to the battle and should be in every school and public library.

Wednesday, December 27, 2017

AFFAIRS RUN IN THE FAMILY by Lee Varon




AFFAIRS RUN IN THE FAMILY by Lee Varon  (Finishing Line Press, 2017)


Review by Julia Carlson


Lee Varon’s book, Affairs Run in the Family, (Finishing Line Press, 2017) is an exploration of and testament to the fragile feelings of the author’s memories of her Southern upbringing and relationship with her grandmother.  When the husband of the grandfather’s mistress attempted to murder him, her grandmother’s life was forever changed. And then, there were also the events of the civil rights era, which played out during the author’s childhood and left a deep impression on her.  Those complex feelings are explored as the author attempts to reconcile these events and their consequences to her grandparents, family, and herself.  In “Court”, Varon describes her grandmother at the trial of her husband’s aggressor -

            “You wear your grey tweed
            threaded with lavender
            smoky silk stockings,
sensible shoes.
            Nothing too flashy….

            Let Mrs. Harlot paint herself
            wear her flared skirt
            her pink cloche skirt
            in discrete perfume….”

“You have been with him
            teaching him slowly
            to hold a cup
            sip water…”


And her grandfather in “After the Affair” -

“After the affair, he cursed the bullet embedded in his brain
After the affair, he never saw her green eyes
After the affair, all they had were fireflies-
small lanterns of longing scattered between them.“


Varon is on point describing her childhood confusion about the mixed messages she received from her grandmother, a Southern woman who carries on despite the shame of her husband’s indiscretion.  We meet the steely will and fight for respectability of this woman done wrong, in both her judgement of her husband’s mistress, and other aspects of her Southern life.  Varon’s desire for her grandmother’s love are especially poignant in the poem “Blister”-

“”Every summer
I entered the cage
of her love
dreaming in a circle of fire…

I wanted her to love me forever
but what will I do
for her love?
Skate out
over the black ice.”


all the while acknowledging that her grandmother’s character did not sit quite right with her.

In “1959 With My Grandmother”, waiting in the bus station with Grandmother, they are sitting across from a black woman:

            “You don't know the black woman
            across from us.

You lean over, loudly whisper,
Honey, everyday I thank God

I wasn’t born a colored person.”
I try to fold my ticket

into a schoolyard fortune teller,
to lean against the blonde oak bench

become invisible.”

Varon’s poems deal with her experience of the negative aspects of the South during her childhood.  In her poem “We Sat Every Night”, Varon describes how her 11 year old mind tries to make sense of this -

            “The government says colored people can vote, Nana.
            Why are whites against it?
           
            People up North are always criticizing us southerners
            but the colored are still treated
            with more respect here
            than most anywhere else….

            “Where is that anywhere else?”

            When I argued with you
            you chalked it up to my tainted Jewish blood
            something I couldn’t help…”
           
Varon’s descriptive, lyrical language evokes many flavors of the South:  pecan pie, crab cakes, burnt sugar cake, lavender, cedar, cinnamon, honeysuckle scent on a hot night, the sound of birdsong   In her poem “After”, written about her mother’s death, Varon writes:

            “…..I watch birds fall
            from the sky and shake

            their wings in the dying sun.
Vireo, Thrush, Cedar Waxwing.
The magnolias have just begun
to spread pink gauze over deepening

green, as your face returns
in the luster of dark wood…”

There are many more excellent poems in this fine collection and it’s well-worth reading more than once.  I was taken back to that time when church bombings and Freedom Riders dominated the evening news, and recalled the same question I had:  Why do grownups do these awful things?   A longer compilation of these poems was awarded the Sunshot Poetry Prize and will be published in 2018, and I look forward to reading it.