Showing posts with label The Sunday Poet: Llyn Clague Doug Holder. Show all posts
Showing posts with label The Sunday Poet: Llyn Clague Doug Holder. Show all posts

Saturday, June 17, 2017

The Sunday Poet: Llyn Clague





  Llyn Clague's  poems have been published widely, including in Atlanta Review, Wisconsin Review, California Quarterly, Main Street Rag, The Avalon Literary Review, Ibbetson Street, Hiram Poetry Review, and other print and online magazines. His seventh book, Hard-Edged and Childlike, was published by Main Street Rag in 2014. Visit www.llynclague.com.




Kayakers

A pair of kayakers, rhythmic and silent,
slide by, graceful and smooth as ducks
directly below my perch on a bench
on a boulder at the edge of the lake.

In irregular arcs and eights
the birds glide, go suddenly topsy-
turvy; with small splashes pop
up, smugly smacking their lips.

High on the upstroke, paddle tips
shoot sparks, drip last tears
back into mother lake; drop and slip
under, propelling their riders.

In passing, the man and the woman,
raising fingertips high in the air,
give me companionable waves,
noiseless ripples in their wake.

Saturday, January 14, 2017

The Sunday Poet: Llyn Clague

Llyn Clague is a poet based in Hastings-on-Hudson, NY.  His poems have been published widely, including in Ibbetson Street, Atlanta Review, Wisconsin Review, California Quarterly, Main Street Rag, New York Quarterly, and other magazines.  His seventh book, Hard-Edged and Childlike, was published by Main Street Rag in September, 2014.  Visit www.llynclague.com

Hunger In A New Yorker Poem

Visual, sensual, genteel,
the poem “Quahogs” in this upscale
mag jogs forward in a tide-steady
rhythm, measured, controlled,
describing clamming by the sea.

Auditory, olfactory, tactile,
in verbal as well as physical
markers, the verse progresses
from tidal flats to rake tines
to the character and color
of the shells: “Opal or pearl …,
their whorls and purple stains.”

Compact, concrete, picturesque:
it’s a best-of-friends evening
scene, with the “sky blazing,
its sinking orange fire.”
With even “the air in savor,”
delightful “precious butter”
drips on “the succulent
of the freezing dark sea.”

Sandily gritty, precisely
specific, grandiosely
the poem raises its sights
from one night’s appetite
for clams and friends by the sea
to the notion of a durable,
universal human hunger,
a “domain immeasurable.”

Delicately, tastily, prettily
worded, its private hankerings
lead to yearning for meaning,
universal, noble, eternal.
To the hunger, very measurable,
of people not clamming by the sea,
this verse avoids allusion,
artfully, assuredly, gently.

Tuesday, April 12, 2016

The Sunday Poet: Llyn Clague





Llyn Clague
Llyn Clague is a poet based in Hastings-on-Hudson, NY.  His poems have been published widely, including in Ibbetson Street, Atlanta Review, Wisconsin Review, California Quarterly, Main Street Rag, New York Quarterly, and other magazines.  His seventh book, Hard-Edged and Childlike, was published by Main Street Rag in September, 2014.  Visit www.llynclague.com






The Lined Pad

Stung again,
I sit with ancient envy
and a pad,
a pad lined like a keyboard,
the cold black-and-white instrument
my always older sister, as a child,
used so brilliantly to grab love –
a pad, whose slat-like rows,
blank with potential, stretch to the far edge,
and, from last night,
a memory that evokes, instead of envy
and its darker sisters fear and greed,
light –
a memory, after we both,
in our old age, confessed to depression,
blank with possibles and stretching out far, too far, out to the edge –
of her saying that,
however dark the despair,
by sitting at the piano and playing,
improvising, toying, almost doodling, she could lift
it;
however briefly.