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( Left--Doug Holder/Right--Joelle Renstom) |
Interview with Somerville writer Joelle
Renstrom: “Closing the Book” on her late father
Interview with Doug Holder
Even though I lost my own father over
14 years ago, I still sense his presence—and I am still engaged in
an ongoing conversation with him. So I was particularly interested to
meet and interview Joelle Renstrom, a Somerville writer and
professor, who wrote a book about her physical journey and her mental
one—with the presence of her deceased father always in the
background. I loved the way Renstrom mingled literature, loss, grief
and discovery in this fine memoir.
Joelle Renstrom is a writer living in Somerville, MA. Her collection of essays,
Closing the Book: Travels in Life, Loss, and Literature, was published by
Pelekinesis in August, 2015. Joelle's blog
Could This Happen?
explores the relationship between science and science fiction, and won a
2012 Somerville Arts Council fellowship and a 2013 Writers' Room of
Boston Nonfiction fellowship.
She's the robot columnist for
The Daily Beast, a space news reporter for
now.space, and a contributing writer for
Panorama: The Journal of Intelligent Travel. Her work has appeared in
Slate, Aeon, The Guardian,
Cognoscenti, and others. Joelle teaches writing and research with a focus on robots/AI, technology, space exploration, and
science fiction at Boston University. Follow her on Twitter
@couldthishappen.
DH: So how is it being a writer living
in Somerville?
JR: Really awesome. It is quite an
inspiring place to be. Especially for someone like me that is very
interested in science and technology. There is this confluence of art
and science. People are doing all kinds of artistic things with their
science. I mean you can take a class to make a robot right down the
block. When you have very artistic people who know how to make stuff
happen—well, it is a place of endless inspiration.
DH: I have run poetry groups for
psychiatric patients at McLean Hospital for many years. Poetry—the
writing of it—can be therapeutic. Did you write this memoir about
your journey in search of your deceased father as a form of therapy?
JR: I never intended to write the book.
And when I was writing it I didn't really know why. But I was so
consumed with grief and I didn't know what to do with it. It was a
story I had to tell, and certainly the process was therapeutic. I
read a quote once, “ A poet is someone for who no event is finished
until he or she has written about it.” I think this is true of all
writers. I don't think I would have processed what had happened to my
dad if I hadn't written about it.
DH: You used quotes from a variety of
literary figures, including: Walt Whitman, Don DeLillo, Ray Bradbury,
etc...
JR: Yes. They all wrote works that
inspired me. Those writers spoke to me then ( and now)--they spoke to
my experience. They spoke about what I was going through.
DH: Why did you not include women
writers in this group?
JR: You know I really despise classes
that deal with only female writers. The choice was really clear for
me because this was a book about my dad. All these male writers—in
some way—played a paternal role. There are many women writers that
write about grief and loss. One I admire is Joan Didion. But I just
felt that I had a different attachment to the writers I chose.
DH: You quoted Walt Whitman.
Whitman—like you—wandered all about, took it all in, and was not
judgmental. Do you think you were Whitman-like.
JR: I think that is something that I
would aspire to. I don't think I actually got there. I tried to
channel him, though.
DH: In your memoir your father presence
is felt through nature.
JR: After his death I sensed my late
father's presence all the time—not only in nature. I taught at
Western Michigan University for awhile, and the class was right down
the hall from my dad's old office. I thought I could sense him
there.. When I went to Scandinavia—I felt him around all the time.
I can't explain it, but it was a great comfort.
DH: You basically write in the science
fiction genre. Was this a stretch for you?
JR: This was my first foray into
creative-non-fiction. It felt natural though. Since then I have gone
back to science fiction.
DH: Does teaching distract you from
your writing?
JR: I teach at Boston University. I do
get inspired from students. And really—you don't ever know a book
as well as when you are teaching it.