The Red Letters
In ancient Rome, feast days were indicated on the calendar by red letters. To my mind, all poetry and art serves as a reminder that every day we wake together beneath the sun is a red-letter day.
– Steven Ratiner
Red Letter Poem #96
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Mundane. . .workaday. . .humdrum. . .prosaic. . .pedestrian: we’ve an expansive vocabulary for what we take to be the commonplace – most of it tinged with dissatisfaction if not outright disdain. Perhaps it’s human nature: that the daily experiences, even those we once prized, can quickly tarnish beneath habit and disregard. . .unless, that is, some change in our circumstance drives those boring presences out of reach and makes us keenly aware of how sweet the water actually tasted, now that the proverbial well has run dry.
Jennifer Garfield (who, I am happy to report, has become an Arlingtonian in recent years) has published poetry in such journals as The Threepenny Review, Frontier Poetry, Sugarhouse Review, and Salamander – and she recently received The Martha's Vineyard Institute for Creative Writing Parent-Writer Fellowship. She is performing one of the vital tasks we depend upon from all cherished artists: to cast even the ordinary of our days in sharp relief so that we might feel once again the extraordinary beauty in the simplest of moments. She does this by setting her poem in the most perfunctory of situations (grocery shopping) and framing her cascade of thoughts in fairly unpoetic diction (“Have you ever considered/ how everyone has a face?”) But as her mind suddenly seems overwhelmed with the simple delight of being a human among her fellow homo sapiens, we begin to find ourselves swept away by her enthusiasm (“Show me any beast// and I will see the prince inside.”) And all it took to prompt this epiphany was. . .two years of a global pandemic and soul-crushing isolation.
I heard William B. Irvine speaking recently about his book The Stoic Challenge, trying to make the worldview of these old Roman philosophers accessible (and, in fact, vital) for a modern audience. We tend to summarize the Stoics as being people who suppressed their emotions, but Irvine says that couldn’t be further from the truth. It’s only the negative emotions (anger, jealousy, despair) from which this philosophical stance seeks to unburden us, while fully embracing tranquility, contentment, and delight. His rule of thumb: “Do what you can, with what you’ve got, where you are.” Choose your own life rather than dreaming of a more perfect (and hypothetical) life-to-come. He suggests the technique of “negative visualization” – a brief thought experiment where you imagine your life without one of those ordinary elements in order to have its precious nature instantly burnished again. He reminds us, “Covid-19 is a kind of brutal substitute for negative visualization” because we are all actually experiencing the long months without: a window seat at our favorite café, a crowded dance floor in a local club, a tableful of family or friends laughing over a home-cooked meal – or even the freedom to reach out spontaneously past the shield of a mask and just touch someone else’s face.
I was standing in line the other day at my own local market (while maintaining a respectful distance, of course), and remembered Jennifer’s upcoming Red Letter contribution. I stared hard at all those pairs of eyes hovering just above the mask-line – and I had the urge to. . .well, tell them about this poem I’d just read, to offer them a copy, to remind them how utterly astonishing it is to recall – not what we, at the moment, lack but all that relentless beauty that remains close at hand. And so I have.
Faces
I’ve been thinking about all the faces today,
and at Market Basket I had an overwhelming desire
to reach out and touch your face, to feel
your cool skin, your rough unshaven chin,
your fat rouged cheeks. Have you ever considered
how everyone has a face? I am suddenly in love
with all the faces, and isn’t there a phrase–– pimples
and all? That’s where I am today. Show me any beast
and I will see the prince inside. It’s not that difficult
to love a face. Now I am staring in a mirror, but for once
without judgment. I have no regret for my wrinkles, my nose.
Today, pores seem like a miracle. We survive. I like seeing you,
stocking up on chicken broth and chocolate bars, walking
through the picked-over aisles of a world gone mad,
or good. I’d like to keep you safe. I’d like to touch your face.
–– Jennifer Garfield
The Red Letters 3.0: A New Beginning (Perhaps)
At the outset of the Covid pandemic, when fear was at its highest, the Red Letter Project was intended to remind us of community: that, even isolated in our homes, we could still face this challenge together. As Arlington’s Poet Laureate, I began sending out a poem of comfort each Friday, featuring the fine talents from our town and its neighbors. Because I enlisted the partnership of seven local arts and community organizations, distribution of the poems spread quickly – and, with subscribers sharing and re-posting the installments, soon we had readers, not only throughout the Commonwealth, but across the country. And I delighted in the weekly e-mails I’d receive with praise for the poets; as one reader recently commented: “You give me the gift of a quiet, contemplative break—with something to take away and reflect on.”
Then our circumstance changed dramatically again: following the murder of George Floyd, the massive social and political unrest, and the national economic catastrophe, the distress of the pandemic was magnified. Red Letter 2.0 announced that I would seek out as diverse a set of voices as I could find – from Massachusetts and beyond – so that their poems might inspire, challenge, deepen the conversation we were, by necessity, engaged in.
Now, with widespread vaccination, an economic rebound, and a shift in the political landscape, I intend to help this forum continue to evolve – Red Letter 3.0. For the last 15 months, I’ve heard one question again and again: when will we get back our old lives? It may pain us to admit it, but that is little more than a fantasy. Our lives have been altered irrevocably – not only our understanding of how thoroughly interdependent we are, both locally and globally, but how fragile and utterly precious is all that we love. Weren’t you bowled over recently by how good it felt just to hug a friend or family member? Or to walk unmasked through a grocery, noticing all the faces? So I think the question we must wrestle with is this: knowing what we know, how will we begin shaping our new life? Will we quickly forget how grateful we felt that strangers put themselves at risk, every day, so that we might purchase milk and bread, ride the bus to work, or be cared for by a doctor or nurse? Will we slip back into our old drowse and look away from the pain so many are forced to endure – in this, the wealthiest nation on the planet? Will we stop noticing those simple beauties all around us? The poet Mary Oliver said it plainly: “Tell me, what is it you plan to do with your one wild and precious life?” I will continue to offer RLP readers the work of poets who are engaged in these questions, hoping their voices will fortify all of ours.
Two of our partner sites will continue re-posting each Red Letter weekly: the YourArlington news blog (https://www.yourarlington.com/easyblog/entry/28-poetry/3091-redletter-123121), and the Boston Area Small Press and Poetry Scene (http://dougholder.blogspot.com). If you would like to receive these poems every Friday in your own in-box – or would like to write in with comments or submissions – send correspondence to: steven.arlingtonlaureate@gmail.com.
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