AFFAIRS RUN IN THE FAMILY by Lee Varon (Finishing Line Press, 2017)
Review by Julia Carlson
Lee
Varon’s book, Affairs Run in the Family, (Finishing Line Press, 2017) is
an exploration of and testament to the fragile feelings of the author’s
memories of her Southern upbringing and relationship with her grandmother. When the husband of the grandfather’s
mistress attempted to murder him, her grandmother’s life was forever changed.
And then, there were also the events of the civil rights era, which played out
during the author’s childhood and left a deep impression on her. Those complex feelings are explored as the
author attempts to reconcile these events and their consequences to her
grandparents, family, and herself. In
“Court”, Varon describes her grandmother at the trial of her husband’s
aggressor -
“You wear your grey tweed
threaded with lavender
smoky silk stockings,
sensible shoes.
Nothing too flashy….
Let Mrs. Harlot paint herself
wear her flared skirt
her pink cloche skirt
in discrete perfume….”
“You have been with him
teaching him slowly
to hold a cup
sip water…”
And
her grandfather in “After the Affair” -
“After the affair, he cursed the bullet embedded in his
brain
After the affair, he never saw her green eyes
After the affair, all they had were fireflies-
small lanterns of longing scattered between them.“
Varon
is on point describing her childhood confusion about the mixed messages she
received from her grandmother, a Southern woman who carries on despite the
shame of her husband’s indiscretion. We
meet the steely will and fight for respectability of this woman done wrong, in
both her judgement of her husband’s mistress, and other aspects of her Southern
life. Varon’s desire for her
grandmother’s love are especially poignant in the poem “Blister”-
“”Every summer
I entered the cage
of her love
dreaming in a circle of fire…
I wanted her to love me forever
but what will I do
for her love?
Skate out
over the black ice.”
all
the while acknowledging that her grandmother’s character did not sit quite
right with her.
In
“1959 With My Grandmother”, waiting in the bus station with Grandmother,
they are sitting across from a black woman:
“You don't know the black woman
across from us.
You lean over, loudly whisper,
“Honey, everyday I
thank God
I wasn’t born a colored person.”
I try to fold my ticket
into a schoolyard fortune teller,
to lean against the blonde oak bench
become invisible.”
Varon’s
poems deal with her experience of the negative aspects of the South during her
childhood. In her poem “We Sat Every
Night”, Varon describes how her 11 year old mind tries to make sense of this -
“The
government says colored people can vote, Nana.
Why
are whites against it?
People up North are always
criticizing us southerners
but the colored are still treated
with more respect here
than most anywhere else….
“Where
is that anywhere else?”
When I argued with you
you chalked it up to my tainted
Jewish blood
something I couldn’t help…”
Varon’s
descriptive, lyrical language evokes many flavors of the South: pecan pie, crab cakes, burnt sugar cake,
lavender, cedar, cinnamon, honeysuckle scent on a hot night, the sound of
birdsong In her poem “After”, written
about her mother’s death, Varon writes:
“…..I watch birds fall
from the sky and shake
their wings in the dying sun.
Vireo, Thrush, Cedar Waxwing.
The magnolias have just begun
to spread pink gauze over deepening
green, as your face returns
in the luster of dark wood…”
There
are many more excellent poems in this fine collection and it’s well-worth
reading more than once. I was taken back
to that time when church bombings and Freedom Riders dominated the evening
news, and recalled the same question I had:
Why do grownups do these awful things?
A longer compilation of these poems was awarded the Sunshot Poetry Prize
and will be published in 2018, and I look forward to reading it.
These Lines: "For the dead leave and we spend our lives/learning to speak with them," are among the best I have read this year and the rest of the poetry in this collection supports them.
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