Hub Theatre Company of Boston
Directed by Margaret Ann Brady
http://www.hubtheatreboston.org/
Review by Doug Holder
Have you ever had a significant
encounter with someone at Market Basket-- in-- say, the frozen food
section? I can't say that I have...but while fondling a yam—I had
an idea for a poem, but I digress. In playwright Christopher Durang's
play “ Laughing Wild,”presented by the Hub Theatre Company of
Boston, at the Club Cafe in the South End of the city, something
significant happens between two conflicted characters in the tuna
fish aisle at Gristede's in New York City. The play ( set in the
1980s) directed by former Somerville resident Margaret Ann Brady,
uses this encounter between an unnamed man and woman as a conduit for
an exploration of ontological questions like: why can't I find love? a job? meaningful work? spiritual fulfillment? etc...
Lauren Elias who plays the unstable
woman (the character has had several stints at the state mental
hospital) assaults a neurotic male New Yorker as he ponders the
existential question: “ What brand of tuna should I buy?” Elias
has a set of pipes like Ethel Merman, and the comic flair of the
manic Toti Fields. Her eyes are wide-open pools of angst, and fear--
as if some spectral presence revealed itself to her. I also focused
on her mouth, a wide, nattering orifice, that chattered incessantly,
as if we were viewing a Beckett play. There was a yin/yang thing going
on in her performance-- a raging Prince Hamlet throwing barbs at a
hypocritical society, the thinning of the ozone layer, Ronald Reagan,
even Mother Teresa and her dreadful love of children. On the other
side is a women seeking connection, and realizes her search for the
silver lining is lost in the dark cloud banks.
Robert Orzalli, the object of the
woman's attention, has a wonderful doughy and rubbery face, and
shock of Harpo Marx curly hair, all of which help convey his zany
embrace of New Age philosophy and the obligatory platitudes—while
at the same time letting out burst of contempt about the search for
beauty, relationships, a meaningless job, his life as a Gay man, and
the list goes on.
Brady, who told me she once lived on
Ibbetson Street in Somerville ( Where my Ibbetson Street Press was
founded), and was part of the Mrs. Potato Head comedy/musical troupe
with my next door neighbor on School St., Berklee professor Lucy
Holstedt, has long been a fan of Durang—a master of satire, dark
comedy, and all kinds of absurd drama. This is evident in the energy
the players bring to the stage, and the audience “laughing wild”
in their seats.
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