by Doug Holder
I met Lois Fiore at the Brickbottom
Artist Building on the outskirts of Union Square. Fiore is a
diminutive woman, who sports large glasses, and has the appearance of
a retired academic. In fact, Fiore did work for the Nieman Foundation
at Harvard University, in the roles of assistant to the curator, and
assistant editor. Fiore wanted to talk about an exhibit she curated
and participated in at the Brickbottom Gallery titled: “ “Peace:
Cutting Through the Turmoil.”
The artists' work that were displayed
at this setting were by Cynthia Staples ( I published her poetry in
The Somerville Times), Cedric Harper, Riki Moss, and Byrnmore
Williams. Fiore told me that she was inspired to curate this
collection just before Trump's election. She intuitively knew that he
would win—despite protests from her friends. She wanted to explore
how people pass through pain into peace. Fiore said, “ The whole
point of the show is to move forward in spite of all this pain we are
experiencing.”
And after Fiore showed me around the
exhibit—I had the distinct impression that these talented artists
indeed expressed this vividly through their work. There was
photography, painting, video—all contributing to what Fiore
characterizes as an “interactive show.” In a film produced by
Brynmore Williams, he has dancer Catherine Minsky—a breast cancer
survivor, dance with exposed breasts-and there is a painting on
the space of the absent breast that was surgically removed. Cynthia Staples
reproduced a trough that pre -Civil War slaves ate from—complete
with a large set of mussel shells they used as eating utensils. Her
visual is enhanced by her moving text. Artist Riki Moss had a series
of otherworldly creatures created from found objects. Fiore told me
that they represented displaced immigrants. And in their distorted
faces I could see a glint of hope.
Fiore, an accomplished artist in her
own right, has several pieces at the gallery. The two that struck me
were depictions of what were probably third world women. They were
painted with vivid orange hues. Their expressions capture the mission
statement of the exhibit. Their lips, their mournful, expressive
eyes—say it all.
Fiore is not formally trained as an
artist, but she has taken courses at the Cambridge Adult Education
Center, the Art Institute in Boston, and elsewhere.
Fiore said she loves the vibes at the
Brickbottom. She loves that she is able to live with people of her
own sensibility. People who understand the creative ups and downs
that an artist goes through. She continues to work on her abstracts
and portraits. And we are looking to hear more stories from
her—here--in the Paris of New England.
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