Showing posts sorted by relevance for query gary Fincke. Sort by date Show all posts
Showing posts sorted by relevance for query gary Fincke. Sort by date Show all posts

Wednesday, April 23, 2008

THE LENGTHENING RADIUS FOR HATE: POEMS BY GARY FINCKE




THE LENGTHENING RADIUS FOR HATE
Poems by Gary Fincke
Cervena Barva Press
PO Box 440357
Somerville, MA 02144-3222
Price: $7.00


Gary Fincke’s chapbook of poems brings back to this reviewer memories of another era, a time when the US Government was pursuing another unfathomably insane war, not unlike the one it is currently pursuing. It was a time, like these times, of a divided nation ruled by arrogance, a time when the nation’s young, even those in elite colleges, were beaten and even shot for voicing their opposition to the war’s insanity. The first poem is titled “Kent, Ohio.” Fincke recalls that horrible day at Kent State “where thirty-five years ago/ I survived the guardsmen’s volley.”
It may be difficult for those who have not lived through those years to understand just how divided the nation was in those years. Though the nation was hardly ripe for revolution, the prospect was talked about seriously in dorms and coffeehouses around the nation. Espousing ideals of love and peace was often met with a hatred that was palpable and personal. Here are the opening lines of “Mother’s Day, 1970:”

“They should have shot you too,” my uncle said
After I chose between the protesters
And the blunt authority of the Guard.
Sick of my mutton chops and thick mustache,
He hated how I thought I knew the world
Better than he did without picking up
A gun or grenade or the requisite
Gumption to wear a uniform with pride.

George W. Bush’s monumental blunder of a war will prove to be more disastrous in its consequences and it has certainly divided the nation. But, other than members of the military and their families, Americans have not been asked to sacrifice anything. During the Vietnam War, a young man had to try to wrap his head around the fact that the government wanted to send him off to die in an enterprise that was morally bankrupt, an enterprise which even its architects, we found out much later, had realized by 1967 was doomed to failure. Since admitting mistakes is something politicians are not wont to do, the war continued for another seven years. This had the effect of twisting up my and Gary Fincke’s generation to no small extent:

I hitchhiked, believing in the Kingdom
Of rootlessness(------------------------
-------------------------------------) saying
Nothing to bored or curious drivers
About my history of Presidents
By name: Kennedy, the office-buyer;
Johnson, the quitter; Nixon, the liar,
who had called my classmates “bums” and killed them
Three hundred yards from my classroom at Kent.

--“All Through May, 1970”

Also found in Fincke’s lines are signs of the transformation America was undergoing, signs of what was fast disappearing:

Some nights my father would drive us north where
Farms were turning into streets of houses.

--“The Fire Landscape”

A sense of dread in the form of the Selective Service System hangs over Fincke and his friends during their last semester in college. Some poems flash forward to pay respects to the dead, those classmates who later died in Vietnam, or in car crashes, or in a jeep in basic training. But death was impatient and didn’t feel compelled to wait for semester’s end:

Early in an evening of remembering death,
I tell my friend that after the Kent State shooting,
After students like me went home and waited out
Our anger, the police came armed to Jackson State
Like a recreation of the Ohio Guard.
They herded those students, I tell him. They backed them
Against the front wall of a dorm and suffered stones
And bricks until they opened fire as if they’d loved
The headlines from the week before, (-------------
-----------------------------------------------------------)
Almost five hundred times, I say, they hit that dorm
Two dead, twelve wounded, all of them “nigger students”
According to the cop who called in the shooting,
That speaker’s nickname was “goon,” something history
Can’t make up, his casual slurs, on tape, leaching
Into the voiceless future to poison language,

--“The Casual Slurs”

Toward the end of the book the language quiets, grows beautiful. One reason America is so divided today is that many people don’t understand what was actually happening in the 1960’s and 70’s. This is even true of many who lived through those years. THE LENGTHENING RADIUS FOR HATE could help provide a way toward that understanding. All I’m saying is give it a chance.

-- Richard Wilhelm, Ibbetson Update

Saturday, October 29, 2016

The Sunday Poet: Gary Fincke

Gary Fincke
Gary Fincke's latest collection is Brining Back the Bones: New and Selected Poems (2016, Stephen F. Austin University). His next book will be The Killer's Dog, which won the 2015 Elixir Press Fiction Prize and will appear early next year.  He is the Charles Degenstein Professor of Creative Writing at Susquehanna University.


The Chernobyl Swallows

In April, near the anniversary
Of catastrophe, barn swallows returned,
Flying inside the exclusion zone to
Nest in the radioactive ruins.

Like disciples, the swaddled scientists
Marveled. The work crews, weeks later, toasted
The newly hatched, especially the fledged
With albino feathers after they soared

Like their siblings, devouring insects
With the ravenous hunger of swallows.
For months, the left-behind celebrated
How weak the worst was, and when the swallows,
,
No exceptions, flew southward, how feeble
Apocalypse could be. But come spring, not
One of the white-flecked birds returned, only
The ordinary nesting and spawning

Their own mutations. Families, by then,
Had moved back to where the world was quiet
And uncrowded, reclaiming rooms inside
The official radius of poison.

And through succeeding springs, no flight with white
Above them, just guards and squatters were left
To praise what they took for heroism,
Even if only among the swallows.

Tuesday, September 19, 2006


Interview with Gloria Mindock

Gloria Mindock is no novice to the world of the small press. Between 1984 and 1994 she was the editor of the “Boston Literary Review,”, and ran a poetry series “BLUR READS.” Gloria has had a couple of chapbooks of poetry published, and her work has appeared in a number of journals such as: PHOEBE, RIVER STYX, BIG HAMMER, etc…

For over 34 years she has been involved in theatre, acting in plays, opera and musicals, and has received grants from the Polaroid Foundation, The Rockefeller Foundation, The Mass. Cultural Council, and the Somerville Arts Council. I talked with Gloria on my Somerville Community Access TV Show: “Poet to Poet: Writer to Writer.”

DSH: Gloria. I have called you a holy fool. Like all of us in the small press you put your own money and time into your enterprise with little compensation. Why do you do it?

GM: I love it. I love to give a voice to established and emerging writers. My main goal with the Cervena Barva Press is to bring writers’ work from other countries over here, because we have a lack of translations. My favorite writers come from Eastern Europe and South America. I just don’t see that type of style here.

DSH: You are an accomplished playwright, and poet. How do you define yourself?

GM: Right now as a poet. I am into political poetry. I pretty much retired from the stage. My interests have gone to writing.

DSH: Do you get anything out of writing that you didn’t get out of performing?

GM: That’s a hard question. I love performing. That’s my first love. There is nothing like that rush, that high…there is nothing like it. With writing my high is a little different. When I share my work at poetry readings it is really wonderful but different.

DSH: Can you talk about the beginnings of the “Boston Literary Review” and your involvement?


GM: It started in Somerville in 1984. The scene back then was not as strong as it is now. There were pockets of writers I think. I think it is stronger now. Everywhere you go there seems to be writers.

Gary Duehr and I started the “Boston Literary Review.” It lasted 10 years. It ceased publication because we went different directions in our life. It was a wonderful experience while it happened.

DSH: Any poets of note you published over the years?

GM: Eric Penkey, Gary Fincke, and William James Austin. Austin is very special to me. We are going to publish him to see how he changed…developed. He’s like my little baby (laughs). Don’t tell him that! He’s teaching at the State College in Farmingdale, N.Y.

DSH: In your collection “Oh, Angel,” and in your work in general, you deal with themes of death. Can you talk about that?

GM Death is a very heavy topic. I have always been fascinated about how different cultures handle death. Some cultures will let birds peck the corpses up. Others wrap the body up. Of course I have lost a lot of people close to me due to death.

DSH: Do you believe in an afterlife?

GM: I’d like to believe there is an afterlife. And I believe in angels. Just a peaceful afterlife is how I would like to think of it. I do believe in God. I have a very strong faith. I don’t go to church though.

DSH: So you are not into organized religion?

GM: I still consider myself a Catholic. I still love the ritual of the Catholic Church. I just don’t attend church.

DSH: Do you consider yourself a political poet?

GM: Yes. I write about the atrocities of the world. I have been working on poetry about the atrocities in El Salvador. When I was in college I worked with a priest with some refugees from El Salvador. That’s when I became very interested. I couldn’t stand what was going on there. The government would do things like hang body parts of dissenters from trees.

DSH: Do you think poetry can have a role in changing things?

GM: Definitely. I think people are listening to poetry more. Like George Held (whose chapbook we published) and people like him are making a difference. Even the simplest of poems can stimulate change. I think it is very important…writing of all sorts. We have to speak out.

DSH: You have a particular affinity with Eastern European writers. Are you a Slav yourself?

GM: I have a little Polish in me. That’s as far as it gets. The writing from Eastern Europe, which was under Communist rule for years, is amazing. The use of it, the way they put words together, the emotion. When I read their stuff I feel like I have a home. It makes me tick. I read everything I can. It is so different from what you get here in America.

DSH: How is it for a woman writer in the male dominated small press?

GM: I have had no problems.. Everyone has been very nice. Once-in- awhile, a writer will make me pull my hair out. That comes with the territory. I know how to stay professional. I don’t give in if I don’t want to. Maybe the big publishers have a problem with male dominated scene. In terms of getting help from other small press publishers—they have been very helpful.

DSH: Who have you been influenced by. Any role models?

GM: Definitely. Neruda. I just love him. My mother always painted, and poetry was always around me. I always had that artistic background. My dad taught 7th and 8th grade English. There are a lot of artists in my family. My sister is a musicologist. My parents are my biggest influence.

DSH: Are you in any particular school of poetry?

GM: No. It’s hard to classify me. Experimental? Sometimes really weird stuff. Maybe lyrical.

DSH: You have a wonderful online newsletter “Cervena Barva Press.” “Cervena Barva” publishing is another enterprise of yours. Can you talk about these?

GM: I wouldn’t have this newsletter if it wasn’t for my partner Bill. He works hard for me, doing all the HTML stuff. He also prints out our chaps. In the newsletter I like to list readings in the area and overseas. I always have interviews.

I also have a poetry postcard series, and we have published a number of chapbooks.

We have a feature “Lost Bookshelf,” that sells books online for writers. I want an outlet for writers to sell their books.

Wednesday, March 21, 2007

Cervena Barva Press Celebrates Two Year Anniv. April 26 McIntyre and Moore Books--Somerville

CERVENA BARVA PRESS CELEBRATES TWO YEAR ANNIVERSARY
McIntyre & Moore Booksellers
255 Elm St. (Davis Square)
Somerville, MA 02144-3222
April 26th, 7:30 PM, Free, Handicap Accessible

Readers: Andrey Gritsman, Doug Holder, and Don Share
Andrey Gritsman is a native of Moscow, Russia, lives in the NYC area, and works as a Physician. Mr. Gritsman is the author of poetry in Russian: No Man’s Land (Petropol, S. Petersburg), Double (Hermitage, New York), Transfer (Arion, Moscow), and Island in the Woods (Pushkin Foundation Publishing House, S. Petersburg), and View From the Bridge (poems & essays in Russian and English) published by WORD in NY. Other books include Long Fall: Poems, Texts, and Essays in English (Spuyten Duyvil Press, 2005), and In Transit (English with Romanian translations, Bucharest, Romania, 2005). He has been published in numerous literary magazines including Richmond Review, Ars Interpres, Poetry International, Confrontation and others. His work appears in numerous anthologies including Modern Poetry in Translation (UK) and Crossing Centuries (New Generation in Russian Poetry), and in The Breath of Parted Lips: Voices From The Robert Frost Place (CavanKerry Press). Twice nominated for The Pushcart Prize and was shortlisted for the PEN/American Center Joyce Osterweil Poetry Award in 2005. He runs the Intercultural Poetry Series at Cornelia St. Café in NYC and is editor of Interpoezia, an online journal of international poetry.
(Andrey has a poetry postcard forthcoming by Cervena Barva Press and was interviewed in the February, 2007 Newsletter).

Doug Holder founded the Ibbetson Street Press in 1998. He has published over 30 books of poetry by local and national poets and 20 issues of the literary journal Ibbetson Street. Doug is co-founder of The Somerville News Writer’s Festival and curates the Newton Free Library Poetry Series. Doug interviews contemporary writers and has a show on Somerville Access Community TV called "Poet to Poet." His work has been in numerous literary journals including Rattle, Doubletake, The Boston Globe Magazine, Poesy, Small Press Review, Artword Quarterly, Manifold, the new renaissance, and The Café Review. Work in anthologies include Inside the Outside: An Anthology of Avant-Garde American Poets (Presa Press), Greatest Hits: Twelve Years of Compost Magazine (Zephyr Press), and America’s Favorite Poems (edited by Robert Pinsky)
(Doug’s chapbook, Of All The Meals I Had Before: Poems About Food and Eating, will be released at this reading from Cervena Barva Press and he will be reading work from his chapbook. Doug was interviewed by Cervena Barva Press in the May, 2006 Newsletter).


Don Share is Curator of the Woodberry Poetry Room atHarvard University, Editor Literary Imagination, andPoetry Editor of Harvard Review. He teaches atHarvard and in the Lesley University MFA program. Hisbooks include Squandermania, new from Salt Publishing;Union, (a finalist for the Boston Globe/ PEN NewEngland Winship Award for outstanding book), Seneca inEnglish, and I Have Lots of Heart, translations ofMiguel Hernåndez (which received the Times Literary Supplement Translation Prize). His critical edition of the poems of Basil Bunting is forthcoming from Faberand Faber.
(Don was interviewed by Cervena Barva Press in the February, 2007 Newsletter).
Gloria Mindock founded Cervena Barva Press in April, 2005.
The Press publishes poetry and fiction chapbooks and full-length plays, fiction, poetry, memoirs, and poetry postcards by writers from all over the world. The press has published many writers with prestigious awards between them such as Gary Fincke, Eric Pankey. Michael Burkard, David Ray, John Minczeski, Dzvinia Orlowsky, Catherine Sasanov, Simon Perchik, Rane Arroyo, and others. Many international writers will be published this year including Flavia Cosma, Martin Burke, Susanne Morning, Ioan Tepelea, David Hill, Michael Nash, Denis Emorine, to name a few.
Local writers published this year are Doug Holder, Mary Bonina, Harris Gardner, Philip Burnham, Leela Arnet, and poetry postcards by Irene Koronos, Debra Priestly, Matt Rosenthal, and others.
On the Cervena Barva Press Website, readers can find out what’s new with the press, read the monthly newsletter online where writers are interviewed, look for readings and events in the local area as well as from all over the world, and check out the chapbook poetry and fiction contests that are held each year by the press.
Cervena Barva Press runs an online bookstore called, The Lost Bookshelf, where the press sells their publications as well as books by writers/publishers on consignment.

Contact Information: Mary Curtin, Events Coordinator, 617-241-9664, 617-470-5867 (cell), marycurtin@comcast.net
Gloria Mindock, Cervena Barva Press, Editor: editor@cervenabarvapress.com
http://www.cervenabarvapress.com
http://www.thelostbookshelf.com

Wednesday, April 01, 2015

Červená Barva Press Celebrates 10 Year Anniversary

 
Červená Barva Press Celebrates 10 Year Anniversary





Červená  Barva Press is celebrating 10 years of publishing. There will be a celebration on Thursday, April 16th at the Arts at the Armory in the Cervena Barva Press studio/Basement B8 at 7:00PM, 191 Highland Avenue, Somerville, MA.  Refreshments will be served. Parking is available in the back of the building.

Červená Barva Press has published poets, fiction writers and playwrights from all over the world. Many authors who are in the area will take part in the celebration by reading work from their chapbook/book that was published. The readers include:  Ed Hamiliton, Andrey Gritsman, Irene Koronas, Tim Suermondt, Steve Glines, Doug Holder, Harris Gardner, Jack Scully, Mary Bonina, Timothy Gager, Mark Pawlak, Julia Carlson, Rene Schwiesow, Catherine Sasanov, Zvi A. Sesling, Denise Bergman, Michael T. Steffen, Kathleen Aguero, Pamela Annas, Annie Pluto, Krikor Der-Hohanessian, and more to be added as they are heard from.

Červená Barva Press was founded in April 2005 by Gloria Mindock. The name means “red color” in Czech.  Gloria Mindock chose a Czech name to honor Václav Havel and operates the press with William J. Kelle.  Over the years, they have had interns from numerous colleges and volunteers. In 2014, Flavia Cosma came aboard as international editor and Tim Suermondt and Pui Ying Wong joined Irene Koronas, who has been with the press from the beginning, as book reviewers.
In 2005, Červená Barva Press published 21 poetry postcards, which included Catherine Sasanov, Eric Pankey, Michael Burkard, David Ray, Simon Perchik, Gian Lombardo, Gary Fincke, Susan Tepper, Dzvinia Orlowsky,  and others. Since 2006, the press has published 82 chapbooks and over 52 full-length books of poetry, fiction, plays, and translations, and 7 e-books which are free to read online. Červená Barva Press is one of the most active presses in the country.

The Lost Bookshelf Bookstore was started in 2005 along with the press to sell Červená Barva Press books, books on consignment by other authors and presses and used books. The bookstore is online and has a presence in the Červená Barva Press studio. www.thelostbookshelf.com

The Červená Barva Press Reading Series is held in their studio after many years having the series in the Pierre Menard Gallery in Cambridge, MA. Once that gallery closed, the press found a home in the Arts at the Armory in Somerville, MA. Events are held such as readings, workshops, panels, and a group of women writers meet each month to share new work with each other. Irene Koronas is co-host of the reading series and helps plan many of the events and whatever else the press may need.
Červená Barva Press holds chapbook contests in poetry and fiction every few years. The press also has a monthly newsletter which features interviews with editors and authors, new books by the press, new books by other presses, book reviews and writing news.

For more information, please contact: Gloria Mindock, editor & publisher
editor@cervenabarvapress.com
www.cervenabarvapress.com


The ten year celebration is open to the public, and we hope friends of Červená Barva Press will join us and past readers in our reading series.