I have trouble writing a poem a month, at best. But everyday since 2017, Somerville poet Mark McKay has posted a poem on Instagram, and has developed a large following. I had a chance to catch up with Mark via the Internet.
You
have lived in Somerville for 2.5 years. How has it been for your
creative life?
Living
in Somerville has really kickstarted my creative life - at the
beginning of my concerted efforts to write in 2017, I was living in
the suburbs and relying on my own imagination to concoct and coax
stories and poems from previous life experience. The vibrant art
community and more urban setting in Somerville has changed the way I
approach my craft, providing inspiration in everything from organized
events, art shows, recognition of artists to the street art and ways
that residents feel free to decorate the outside of their homes.
Since moving to Somerville, I’ve also enrolled as a student with a
painting school (Katherine Martin Widmer School of Painting) - being
part of such a welcoming community and the prospect of learning a new
way to express myself is one of my very favorite things. It’s so
inviting and surprising every day just to walk the streets, community
paths and observe the community’s active approach and appreciation
of the arts.
You
started a poem project on Instagram , where you have been posting a
poem every day since Jan 1, 2017. What was the germ of the idea for
this?
I
began this project in 2016 in honor of National Poetry Month (April)-
titling it “mckaystoryaday”. I have never considered myself to
be a “poet” but have always engaged in correspondence and short
story writing so wanted to contribute something literary to such an
important celebration of the written word. I chose Instagram because
I felt that words were not well represented there, that breaking up
the format a bit with writing instead of photos would help my writing
to be noticed. I have since found that Instagram is home to MANY
poets and storytellers, a wonderful vibrant community.
My
contributions in 2016 were infrequent, as I had not yet decided to
make this a continuing project. Beginning in earnest on January 1,
2017, I vowed to keep it up as long as I could manage, changing my
format from a fully formed “story” to conjuring images and
feelings, hoping to challenge the reader to use their own
imaginations to fill in those gaps...
Your
poems are haiku-like--short snippets--that capture a moment in time.
I also noticed you have short love poems that seem to be addressing
an object of your affection. What poets have influenced you?
I
have always loved the haiku form since it was presented to me in
grade school English class, and through the years, I feel that
reading such masters as Matsuo Basho have influenced me my whole
literary life. Occasionally, I will visit and write in the
traditional haiku form, I find that I reach for that form when I am
in need of a calming influence - there’s just something both
natural and mystical about it in my mind… I have since been
introduced to many wonderful poets and poems I had missed, but
honestly cannot say I have been directly influenced by them - my own
words just feel they come from inspiration found reading short
stories by my favorite authors like HG Wells, Kurt Vonnegut, Ray
Bradbury and John Steinbeck.
As
for addressing the object of my affection via the poems, I try to
write with universal themes and simple scenarios that anyone can
relate to - we all desire to reach the heart of someone with our art,
I am no different...
Has
writing become more essential to you during the pandemic?
Absolutely
essential. Prior to this, I felt that I was sending these missives
out as a blanket, hoping they would find a sympathetic reader. Now I
feel that they are direct communications - a cry, arms opened to
receive those who need, statements of intent & purpose, arrows to
the hearts that need it. It also allows me to visit places and people
in my mind that are not accessible during these times, a measure of
much needed sanity.
You
told me you started a fanzine in the 80s and 90s, which will be
compiled into a book in 2021. Can you give us more details about it?
I
worked in a copy shop in the late ‘80’s and was challenged by a
friend to create a fanzine of the collages and short writings I had
been doing while there was downtime. It was not intended to be
circulated, but just as a fun project to share with the folks in the
shop, but it was enjoyed and I was urged to continue. The cut and
paste nature of it felt fantastic, and at the time I was discovering
abstract art and particularly fascinated with the Dadaist movement
from early in the century - such fertile ground! I wanted to
contribute and having an outlet totally under my control was such a
rush. I was able to create four issues (and many unused pieces) which
became more literary-based as I went on and felt better about putting
my writing in front of people. I read back over them a few years ago
and did not dislike what was created so I decided to compile all the
pages and write a book around it, discussing everything from the
social climate at the time, my personal experiences and words of
explanation for some of the more “esoteric” pieces included.
Still a work in progress, but I will indeed self-publish the
completed project in 2021.
You
were a drummer for a number of years , then you switched to high
tech. Was that because it is hard to make the daily nut as a
musician?
I
was deeply involved in the Boston Punk scene for a few years before
deciding that there were not enough drummers to go around, so I
bought myself a kit and started to teach myself to keep a beat. Some
friends from High School were just breaking up their band, and I had
achieved some basic proficiency so we formed a new band called
Slapshot in 1985. We were able to keep this running for many years
(they are still going, though I am long since retired from performing
and playing) and travel extensively throughout the US, Canada and
Europe, made several records and sold a few t-shirts. It was never
about the money, so we always maintained day jobs to allow us to fund
travel and band expenses. I’ve always loved how technology can keep
people and ideas flowing, solve problems and connect us, so a career
in this field was a natural fit. It’s not my passion, but I have a
deep respect for the positive aspects that it can add to daily life.
Have
you ever played the drum break for " Funky Drummer" by
James Brown?
If
you ever have the chance to check out any recordings I made with
Slapshot, you will realize that - although I have a deep appreciation
for music of ALL sorts - I was NOT built to be a virtuoso on my
chosen instrument! So no, have never tried it (but indeed LOVE JB!).
How
long will this poetry project go on, or will it never be finished?
Coming
up on four years of daily writing is so much more than I hoped to
accomplish and I’m driven by the positive feedback from readers
which still both boggles my mind and warms my heart. There are times
when it feels like a project of this length has run its course, that
I have nothing more to say - but then I find a thread deep in my mind
or heart that I feel encompasses everything that I am - giving me
strength and resolve to continue for another day. I am trying my hand
at some longer form writing, but have enjoyed this shorter format and
feel very comfortable here… In short, there are no plans to stop.
9/26/2020
under dim streetlights,
hands pushed
deep into pockets -
the sting of habit
the absence of purpose...