By Doug Holder
On any given day at the Sherman Café you
can watch a passing parade of poets and writers while sipping your morning cup
of java. Recently I have chatted with
Julia Story, Joe Torra, Richard Cambridge, and Bert Stern to name a few. While
at my usual appointment in the said café the parade stopped and left off
Amaranth Borsuk. Borsuk joined me at my table and we discussed her life and
work as a poet. Amaranth is a slight, 30 something young woman, with an engaging
manner and an elfin smile. She is currently a Mellon Postdoctoral Fellow at
MIT. She has a PhD in Literature and Creative Writing from the University of Southern
California, and has been published in such journals as Field, Colombia Poetry
Review, Colorado Review and others. She has a new collection of poetry out
titled Handiwork that was selected
for the 2011 Slope Editions Poetry Prize. Borsuk is particularly interested in
the use of writing technologies by modern and contemporary poets.
Borsuk has been in Somerville for over a year, and resides
in the Davis Square area of our town. She is originally from Connecticut, but
has lived in Los Angeles while she studied for her PhD. She feels the poetry
community in the Boston area is much more connected to academic institutions
than the LA scene is. She regularly attends poetry events in the area such as
the recent Mass. Poetry Festival and readings at Harvard. Part of her duties at
MIT is to teach and she encourages her students to attend poetry events in the
community.
Although Borsuk is a serious scholar she does not feel it
has a negative influence on her artistic side. She said: “My scholarly work makes me more engaged. My
deep analytical work helps me forge my own poetics.”
Borsuk is not only interested in the word, but also how poets throughout the years transfer the word to
the literal and virtual page. For instance when the typewriter came into play
it affected the writer’s style. Lines became more staccato-like—perhaps they
were influenced by the insistent, sharp pecking of the keys. She is also
fascinated by the way contemporary poets use borrowed texts from newspaper
clips, legal briefs, to Holocaust testimony, and other bits and pieces to
create poems. The poems are in essence made up by these selected and borrowed
texts. Choice becomes part of the art of the poem.
Borsuk also experiments with a hybrid of digital/print forms
of publishing. One of her innovative poetry collections gives you a website address
where you can view yourself opening the book… talk about the whole reading
experience!
Borsuk will be leaving Somerville in the fall but I am glad
that she had the chance to bask in the rich artistic milieu our town has to
offer.
What Is Withheld
I was entrusted with throwing bread
ahead
of the weighlock so the boats
could skim a mealock without being
scenes.
The one I loved had sea eyes,
made me green. When I say
boats,
I don’t mean goats, but dogs.
Each one had several shames
so
we called them Come-you,
from the glottal, a private stutter.
Come-you’s
father gave me a letter
to toss across the sands. This was
long
after apples disappeared
from shops. I was entrusted
throwing
grass into moss. My favorite
thing: to eat book after book while
reading
apples. The letter said wait
by the viburnum, which looks
away,
then jump. His father paid.
A signist by trade, he rendered
the
boards in local idioms
as Come-you changed. This was
many
years before we met again
in the hearken, a marked growl—
before
the stave and tale. When I say
hall, I don’t mean all or hole: a place
where
every empty thing is saved.
Boat, boa, bowie, buoy, beau.
This
was before they made the dogs
dig up their bones. Sometimes it is
not
to believe. If it wouldn’t
happened to my loved ones I wouldn’t
believe
it
---
Amaranth Borsuk
I LOVE "eating book after book while reading apples~"
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