Thursday, October 10, 2013

God’s Naked Will & other sacrilege






 


God’s Naked Will & other sacrilege
By C.D. Mitchell
BurntBridge Press
159 pages
 


Review by Thomas Gagnon 

            First-time author C. D. Mitchell excels at making scenes.  He often opens with sensational information, which evolves into a drama both compelling and realistic—no contrived plot twists here.  But also often, something is missing.  Most of these stories are all about their scenes, while the characters—if not missing in action—stay two-dimensional.
            First, the positive, and there is plenty of positive to accentuate.  Mitchell does create utterly memorable scenes.  Near the end of the first story, “Clovis Clementine,” the already horrible life of Clovis takes an especially ghoulish and ghastly turn.  During a flood, he imagines that dead bodies rise up and talk to him—at first, a high school classmate that he had attacked and killed, and later, at three-pages’ length, “the Colonel” who urges him to join the devil’s ranks.  A scene like that has lasting impact, and there are many such scenes throughout this short story collection.
            One other scene—a favorite of mine—occurs in the title story, “God’s Naked Will.”  It is a dialogue over the phone between a Pentecostal preacher, Mooney, and a receptionist at an escort service, absurdly named God’s Own Escort Service: A Touch From Above With Every Date.  The absurdity continues with the line “God’s Own Escort Service.  How can we touch you today?,” but the ensuing conversation takes unexpectedly dark turns:
            “I want someone who knows how to keep her mouth shut.  But I also want someone
            who knows what she’s doing.  And she must be white.”
            “What are you, a bigot?”
            “No.  But my faith prohibits inter-racial marriages.”
            “Your faith probably prohibits premarital sex, too.”   (55)
Such unexpected darkness—or, at best, murkiness—is a strength in all Mitchell’s stories.
            Also positive, Mitchell boldly presents distasteful issues and situations.  The mere concept of the Lord’s army (introduced almost right away in “Clovis Clementine”) induces shivers.  And it gets more distasteful than that, in story after story: schizophrenia, suicide, adultery, horrific hypocrisy, capital punishment, voyeurism, verbal abuse, and sexual perversions.  Nor are these evils hurriedly set aside.  Rather, they stay front and center, throughout.  For instance, the sexual perversions in the story “Original Sin”—especially, lust masquerading as nudism—never quite disappear.  Although the bride, Lesley, knows ahead of time that she will be getting married nude in front of strangers (on p. 124), she cannot reconcile herself to the thought (on p. 139).  On the contrary, she suggests to the groom, Zach, that they leave as soon as possible.  They don’t.  Lesley cannot escape from human sin.  Consequently, neither can the reader.
            This is impressive.  What is not impressive is the lack of characterization in most of these stories.  Clovis is not so much a person as he is a misfortune incarnate; the same is true of another character with severe mental illness, Sally in “Job’s Comforter.”  Although Lani in “Stud Fee” has interesting moments, Mike, the stud, does not.  Elias in “Healing Waters” achieves an anti-climax rather than a climax.  And so on, with one exception: Reverend Mooney.  Mooney takes on dimension because he is both astoundingly hypocritical and apparently unaware of his hypocrisy.  He contains a world of contradictions, which are not amusing and yet are not wholly disgusting, either.  It is clear that the unrealistic tenets of Mooney’s own faith are partly to blame for his faults.
            Each story is a mix of the well-done and the problematic.  Since schizophrenic Clovis believes in the Fundamentalist Christian concept of the Rapture, it is apt that he fears the flood is a particularly ominous sign.  But, the many similes describing Clovis’ schizophrenia merely strain the brain.  The can of mace in “Job’s Comforter” is a Chekhov’s gun that never goes off—an excellent aspect of the story.  But, the metaphor of Job’s comforter is utterly perplexing.  Whereas Darleen does aim to comfort her schizophrenic daughter, Sally, Job’s comforters do not comfort Job.  Other stories are more (or less) out-of-balance than these two.
            For all its imperfections, however, some stories in the collection do linger in the mind.  Important questions about faith are framed by intensely dramatic (but plausible) situations.  Yes, it is a bumpy ride, but it is an enjoyably bumpy ride with resonance. 

Tuesday, October 08, 2013

Brightness Fall Poems by Ellen Steinbaum





Brightness Fall
Poems
by Ellen Steinbaum
CW Books
Cincinnati OH
Copyright © 2013 by Ellen Steinbaum
83 pages, softbound, no price listed

Review by Zvi A. Sesling

To the long line of women who have written books of “confessional” poetry, we can add Ellen Steinbaum, whose most recent book is Brightness Falls. Steinbaum’s poetry is  gentle and sympathetic to our senses, certainly as revealing as her predecessors who write about their lives and loves.      

There are four sections to this book, the first, “Begin Again”  starts with untethered and is followed by begin again, two fifteen line poems in which we learn she is alone with, in the first a “solace/of pillows” and in the second “with beach grass blade/for compass.”

In the first scenario we can see her alone in her bed, the empty pillow next to her where he late husband would have been,  something everyone experiences with the loss of a partner.  In the second poem there is another recollection with which we can associate, our confusion at suddenly being alone and like wind blowing through grass and the grass perhaps bending in so many directions, we find ourselves directionless, unsure of where we want to  go or should, not metaphorically, but actually.

In one of her longer poems Steinbaum reveals what life was like for her before she met her new husband, though we do not learn how much time has passed after the death of her first husband before the new relationship.

Before I Met Him

I was fine
gave dinner parties
grew a garden
read the papers
paid my bills
repainted rooms and
bought new dishes
went to ballets
wrote my will
had a new book out
visited family  
tried new recipes
tried new wines
made new friends and
wrote new poems
had (small) adventures
I was fine
I was fine
had (small) adventures
wrote new poems
made new friends and
tried new wines
tried new recipes
visited family
had a new book out
wrote my will
went to ballets
bought new dishes
repainted rooms and
paid my bills
grew a garden
gave dinner parties
I was fine
I was fine

Males and females can associate with the emotions of having a departed spouse and the need to move on in life. Perhaps everyone’s method is different, but the underlying attempts to restart and reshape are all there.

Unlike some who might search for romance and a new beginning, there are those who do not consciously make the effort.

widow’s walk

she didn’t want to
want again
yearn for arms
around her
arms holding her
new kisses
skin warmed
by new hands

she didn’t want to dance
drop dizzily
from brightness
to deep shadow
want to go instead
on her even way

stay small and
folded from the light
never venture
into crowded streets

she never wanted
she never
dreamed

This poem reflects both the prelude to hope and the movement to the next phase of a life, from to companionship to love confirmed by the first stanza of:

there will be worse (I)

after the argument
he says there will
be worse and I
think those
are words of love

There are times when readers wonder if Steinbaum is writing about her deceased husband or her new mate. There are times when readers are left with no doubt it is about the present and the future, and while brightness may fall, a new sun rises for her.

This book is a “must read” for everyone who has survived and recovered from loss.  It is for everyone else as well.


__________________________________________
Zvi A. Sesling
Reviewer for Boston Small Press and Poetry Scene
Author, King of the Jungle (Ibbetson Press)
Author,  Across Stones of Bad Dreams (Cervena Barva Press)
Publisher, Muddy River Books
Editor, Muddy River Poetry Review

Editor, Bagel Bards Anthologies 7& 8

Sunday, October 06, 2013

LET THE BUCKET DOWN: A Magazine of Boston Area Writing








LET THE BUCKET DOWN: A Magazine of Boston Area Writing
ISSUE 1
2013
Editor: Joseph Torra
Managing Editor: Molly Torra
$15

Review by Doug Holder

Somerville poet and writer Joe Torra has a long history on the literary scene as a novelist, poet, publisher, and teacher. I was glad when he told me he started a new literary magazine: Let the Bucket Down: A Magazine of Boston Area Writing.

There is much to recommend in this new venture by Torra. There is an essay by Robert Dewhurst about the birth of Measure magazine, the brainchild of the late Boston, Black Mountain School, poet John Wieners. I met Wieners late in his life through his late friend Jack Powers (The founder of Stone Soup Poetry) and I knew of his magazine. But this essay filled in the blanks about the Boston literary scene in the 50s and 60s, and how one went about putting together a little magazine in days before the Mimeograph Revolution. 

Joe Dunn, has a brilliant poem about Boston’s infamous Molasses Flood, with images of Bowler hats floating on a sweet, lethal sea. Bubbles of death percolate from the depths, topped by these drifting, Bowler tombstones.

Roland Pease, founder of Zoland Books has a nice piece about his seminal years as a writer and publisher. He has been part of the Cambridge, Mass. scene since 1963, and is a rich trove of local literary history. Also included is poetry by well-known faces such as Carol Weston, an essay by Daniel Bouchard, poetry by Joel Sloman, photos from the Word of Mouth Poetry Series of the 80’s and 90’s, and fiction and non-fiction by many other folks.

Poet Ruth Lepson, who I had the pleasure to interview years ago, has a fine piece about Robert Creeley and the jazz musician Steve Lacy. When Lacy was at the New England Conservatory (where Lepson teaches), both he and Creeley collaborated with their music and poetry. Lacey and Creeley both loved improvisation and the energy of irresolution in their art.

This new magazine is a very welcomed addition to the literary scene…highly recommended.

Saturday, October 05, 2013

The Hotel Oneira by August Kleinzahler






 

The Hotel Oneira
August Kleinzahler
Farrar Strauss Giroux
New York, NY
© Copyright 2013 by August Kleinzahler
Hardbound, $24, 89 pages

Review by Zvi A. Sesling

What makes a poet memorable to me is the ability to make me sit up and feel a wow moment, an idea, a poetic line or a usage of words that says to me this poet is unique.
August Kleinzahler is that kind of poet.  In three previous poetry volumes of his that I have read I have had those moments when I get excited about what I am reading.

In his latest book Kleinzahler produces many wow moments for me.  Take for example
A History of Western Music: Chapter 63:

They follow you around the store, these power ballads,
you and the women with their shopping carts filled with eggs,
cookies, 90 fl. oz. containers of anti-bacterial dishwashing liquid,
buffeting you sideways like a punishing wind.

You stand, almost hypnotized, as the rosticceria counter
staring at the braised lamb shanks, the patterns
those tiny, coagulated rivulets of fat make,
both knees about to go out from under you.

So many images in the supermarket.  We have all experienced these moments, though I must admit I have never spent much time looking at coagulated rivulets of fat, though I have been buffeted sideways like a punishing wind.   This has been particularly true in a Whole Foods where they seem to push the carts the way they drive their cars—blindly and with abandon.  
                                                               .

Then there is this scene from Hollyhocks In The Fog in which a reader who has spent time at a seaside shore might relate:

Every evening smoke blows in from the sea, sea smoke, ghost vapor
of lost frigates, sunken destroyers
It hangs over the eucalyptus grove,
cancels the hills,
curls around garbage outside the lesbian bar.



Kleinzahler is a favorite because not only do the images come with super glue so they stick in your mind and warp your senses, but because the poems themselves are written to make you reread and thoroughly enjoy them.

And there are the memorable lines like: my name is on everyone’s lips:/-August, they say,/with resignation and dismay, pulling up their collars against the wind. 

Or:  Two turkey vultures, wings unfurled like spinnakers,/dry and groom themselves,

Hotel Oneira is out this week by the author of nine books of poetry, winner of the  2004 Griffin International Poetry Prize for The Strange Hours Travelers Keep and the 2008 National Book Critics Circle Award for Sleeping It Off In Rapid City.

There is much to discover in Kleinzahler’s poetry: individual lines, couplets and whole poems.   It is highly recommended.

_________________________________________
Zvi A. Sesling
Reviewer for Boston Small Press and Poetry Scene
Author, King of the Jungle and  Across Stones of Bad Dreams
Publisher, Muddy River Books
Editor, Muddy River Poetry Review
Editor, Bagel Bards Anthologies 7& 8

Thursday, October 03, 2013

Female Adventurers: The women who helped colonize Massachusetts and Connecticut by Alice Plouchard Stelzer







Title:                     Female Adventurers: The women who helped colonize Massachusetts and Connecticut
Author:                                Alice Plouchard Stelzer
Publisher:           Merrimack Media
ISBN:                     978-1-939166-21-0
Cover:                   Paperback
Pages:                   161
Price:                    $14.95
Reviewer:           Pam Rosenblatt


While some people may disagree, people’s lives make good readings – no matter how mundane a person’s life may seem. Take the pauper “Oliver” in Charles Dickens’ Oliver Twist or the rambunctious “Huckleberry Finn” in Mark Twain’s The Adventures of Huckleberry Finn, or the unstable “Willy Loman” in Arthur Miller’s Death of a Salesman.  Each of these characters led rather insignificant lives, but the authors make remarkable, memorable stories from them. These writers seem to suggest that everyone has a story, no matter how insignificant that person’s life may appear to a lot of people.
                Alice Plouchard Stelzer seems to agree! In Female Adventurers: The women who helped colonize Massachusetts and Connecticut, a 161 page non-fiction paperback published by Merrimack Media, 2013, Stelzer shows how important people are not just to themselves, not just to their families, not just to their friends, but to history as well.
Stelzer has written about a subject little researched and written about before: the women behind the men who emigrated from England to New England, mainly Massachusetts and Connecticut.
Often essential facts about colonizing women are not available or only minutely available. But Stelzer has gathered enough information about the lives of twelve women who assisted in colonizing New England to make an interesting, amazing read. 
Stelzer mentions how the colonizing woman had to do to with establishing New England’s towns. These resilient women tended to chores like cooking, gardening, sewing and mending clothes, and “have had a large part in the struggle with the wolves, bears, Indians, hardships and disappointments of New England,” as noted in Rev. George L. Clark’s 1906 address, Unremembered.[1]

 “Discussing men’s departures for war, Clark asks: …who were more dauntless than the mothers, wives and sisters, who with sad hearts, yet brave faces, spun the yarn, wove the cloth and made their butternut coat; filled the knapsack and with a kiss and a trembling, a thrilling word sent those men of nerve on their way of duty and death.”

In the past, women were only slightly recognized as vital figures in the history of the United States. But their husbands, boyfriends, fathers, brothers, or sons have been acknowledged in the history logs much more regularly. But they all made a durable mark in colonial society, according to Stelzer.
Woman who were once alive and have impacted early American history are documented in a clever, readable way throughout the book. Their families are written about, too. Stelzer has made an attempt not to acknowledge all of the people who have touched these women’s lives significantly; she even includes genealogical data.
Three women are discussed below. Each woman shows how Stelzer makes even the most unassuming woman adventurer important:

Margaret Barret Huntington (Her husband died at sea from England to New England):

“As the ship Elizabeth Bonaventure approached the Boston harbor, what must Margaret Huntington have been feeling? It was the end of a terrible ocean journey for her. The ocean passage created an unbelievable challenge for the emigrants. Margaret and her family would have been on the ship for probably six weeks with poor sanitation, the smell of seasickness everywhere, and no water for washing herself or clothes. But the end of the journey, there would have been no firewood for cooking and most of the food would have spoiled. Then there were the storms that tossed the ships around, wave to wave. Disease preyed on the weak travelers. Serious illness spread fast in the cramped quarters and smallpox stalked this voyage.
                In fact, Margaret’s husband, Simon Huntington succumbed to smallpox before the ship arrived in Boston. It is likely, from what we know about Puritan beliefs, that Margaret spent the time during Simon’s illness and death praying fervently to God for Simon’s soul and for the salvation of her children and the other passengers. All would have been in prayer as they committed Simon’s body to the ocean.”

How difficult the move to Windsor, also known as Roxbury, Massachusetts, must have been for Huntington, as Stelzer writes:

“Many questions remain unanswered because almost none of these women could write. What would Margaret’s life have been like in Roxbury? She was stranded there with four little children. It is plausible that Simon had a sizeable investment into the Massachusetts Bay Colony before coming. Since no researchers have been able to find a will, Simon probably died intestate, which would guarantee Margaret her one-third dower of Simon’s estate, but what exactly was the estate? Later the children were given land grants, but was there cash available for her to live? Margaret’s rather wealthy family may have brought servants with t hem, but none show up on the Bonaventure passenger list—like many of the passenger lists, this remains incomplete.”

Like Hester Sherman Ward, (an informant on a witchcraft controversy):

Here is some background to Ward:

“Hester married Andrew Ward in 1627 in England. Some sources say she was married in February 1619 but that would have meant she married at the age of thirteen, which would not have been a common practice in the wealthy Puritan family from which she came. The 1627 date is more likely correct. According to Roger Thompson’s Mobility & Migration, the emigrants leaving England for Massachusetts traveled in companies. All the citizens of one area would plan to leave at the same time. This was when an extended family would gather and make plans to migrate. Hester and Andrew, her father, Edmund Sherman and Stepmother Judith Angier Sherman, along with many of Hester and Andrew’s siblings, came to New England in 1632 on the ship James. Having so much family traveling with her would have been comforting to Hester, as some migrating women left their extended family behind. Hester was married for four years when it came time to emigrate to Watertown in the Massachusetts Bay Colony. Hester and Andrew had two children, the youngest only a year old, and possibly a stepson, Edmund.”

A few witchcraft controversies arise in the book. The below incident shows how important the opinions of women, especially Ward, were in colonial New England:

“Goodwife Knapp was not the usual suspect of the superstitious search for witches. She had a good reputation and did not get involved in arguments with her neighbors. On the other hand, Mary Staples, according to Taylor was a
               
Shrewd and shrewish woman, impatient of some of the
Puritan social standards and of the laws of everyday life.
She openly condemned certain common moralities, was
reckless in criticism of her neighbors, and quarreled with
Ludlow about some church matters.

During Knapp’s trial, Roger Ludlow, who was a very influential man throughout New England, tried to get Goodwife Knapp to name Mary Staples as a witch but she refused. Before then, Ludlow had had several arguments with Goodwife Staples because he thought she was a liar….”

And here is what Ward accused Mary Staples of:

Hester Ward, wife of Andrew Ward, being sworne
deposeth, that aboute a day after that goodwife Knapp
was condemned for a witch, she goeing to ye prison house
where the said Knapp was kept, she said Knapp, voluntarily,
without any occasion giuen her, said that goodwife Staples
told her, the said Knapp, that an Indian brought vnto her,
the said Staplyes, two little things brighter then the light
of the day, and told the said goodwife Staplyes they were
Indian gods, as the Indian called ym; and the Indian told
her, the said Staplyes, if she would keepe them, she would
be so big rich, all one god, and that the said Staplyes told
the said Knapp, she gaue them again to the said Indian,
but she could not tell whether she did so.

And Mary Blott Woodford, (a possible “maide servant” who had left England for New England), can be read about in well-written, clear sentences.

Here is the chapter’s opening paragraph:

“Researching seventeenth century women is difficult in all cases, but servant women are especially challenging because they leave no footprint behind. By following the men to whom the women had connections, I develop suppositions on the movements of the women. Mary Blott Woodford is such a case.
                Both Mary and her future husband, Thomas Woodford, migrated to the Massachusetts Bay Colony on the ship Francis and Mary as servants. It is probable that they met on the ship because it was the rule and norm that servants would only socialize with other servants. It is not likely they knew each other before their voyage because Mary lived Bedfordshire, England and Thomas from Lincolnshire. These towns are one hundred miles apart.”

                Woodford lead a simple but hectic home life, as Stelzer writes, “While in Hartford, Mary was busy with her family, gardens, and the myriad duties of a seventeenth-century wife and mother. She also had two more daughters.”
                And there were additional hardships for Mary, too, including several moves to different places in New England:

                “Just think about how many times Mary had to pack up her life belongings and move into another wilderness. She went from Bedfordshire, England to Roxbury, Massachusetts, to Springfield, Massachusetts, to Harford, Connect. She would need to create new gardens and set up a new home,  which was a challenge in these wilderness towns. At Roxbury, Agawam and Northampton. It would have meant loving in some crude shelter until the lots had been assigned and their house built.”

Female Adventurers: The women who helped colonize Massachusetts and Connecticut has much intrigue, even though it is a scholarly book. The excitement of colonization, genealogy, love, marriage, death, witchcraft controversies, crime and punishment, the supernatural , etc. in well-researched, not- too-long chapters are all topics discussed in this book. Notes and Endnotes about individual women adventurers, their families and friends are even included after each section.                               
Alice Plouchard Stelzer’s Female Adventurers: The women who helped colonize Massachusetts and Connecticut is a fine book about New England in the 1600s. It will hopefully leave the reader wanting more concrete examples of female adventurers in colonial America, something which may not be so plausible as the historic records are so far and few.





[1] Stelzer, Alice Plouchard. Female Adventurers: The women who helped colonize Massachusetts and Connecticut, Merrimack Media, 2013.   All quotes and information supporting this article was found in the book reviewed –
Female Adventurers: The women who helped colonize Massachusetts and Connecticut, by Stelzer.

Tuesday, October 01, 2013

With an old friend at Jacob Wirth: Jim Resnick and I.


  **** This was written for my late friend Jim Resnick. Jim passed away last week at the age of 54. Jim was instrumental in helping me put out the first issue of the literary magazine Ibbetson Street in 1998.


By Doug Holder






I have never seen him look so bad...his face was ashen...he was skeletal..he was heavily medicated...it was heartbreaking. I picked him up at his house in Allston, and we went to Jacob Wirth, an old hangout of ours in Boston for dinner. When we walked in there was a loud entertainer in the main dining room, so I pointed to the waiter for a room in the back. We sat next to this woman of formidable girth, dressed like an old hippie, gray hair and granny glasses. She had this huge meal--plates surrounded her--pot roast swimming in gravy, cornbread mopping up a mash of meat and red cabbage, her pinkie finger circling the plate making sure nothing remained. As the entertainer belted out trivia questions from the 1970s she turned to us, daintily putting her napkin to the edges of her mouth and said " I know the answer to the question--they don't--." She laughed quietly to herself, as if enjoying a private joke.




I didn't think of it at the time. But the universe was talking to me. That woman----  that particular woman--  was iconic for Jim and me; the classic Boston eccentric was a type both Jim and I lived around in rooming houses in Boston, and was almost a re-creation for us from our past. The subject of my latest poetry book  Eating Grief... is all about what she represents--people like her fascinated us, and to a degree  both Jim and I became what was the object of our fascination. For some reason I was compelled to take that back table--I didn't see that iconic woman until I got there. Everything seemed to hit me after the dinner--I know at some point , some point in the distant or not so distant future,  I will see her again....